160130 – Bret Colin Sheppard – The Mantle of Disclosure

In 1982, Bret Colin Sheppard was 15 years of age and an aspiring art student, when he was asked to stay after school with another art student and view a slide show presentation of some very strange art.

The woman who showed him this art was from SRI, Stanford Research Institute and Bret felt a strange sense of deja’ vu as he was shown the images. Bret has a photographic memory, so he cannot forget what he has seen. Bret went on to have a professional career in art, his art style being of a surrealistic type, a dreamscape of the mind.

Years later, Bret is strangely compelled to pursue research into photographic images of the moon. He creates the Lunar Anomaly Research Society and, along with other anomalists, pursues observing lunar imagery looking for structures, unnatural architecture and other types of anomalies.

One day, Bret is confronted with an image that stirs his memory and he realizes he is looking at an image that he remembers seeing as a teenager in that darkened room. This sends him on a quest, looking for more of this surreal, embedded imagery that is found in hundreds of space mission photographs.

Over time, Bret becomes convinced he is seeing what may be extraterrestrial or extradimensional (ET/ED) beings in contact with humanity who communicate using picture puzzles embedded into space photographs using advanced holographic techniques. Bret discovers hundreds of images that are strange, have themes and complexity going beyond mere “paradolia” or seeing random patterns.

At first, he shares this with his Lunar Anomaly Research Society (LARS) cohorts. Karen Christine Patrick, Bret’s writing and research partner, helps to uncover the mystery of these images as an astonishing paranormal paradox, suggesting that the imagery Bret has painstakingly illustrated quite possibly is Bret’s own work, made into a slide show and sent back to his teenager self for him to see in 1982. The collection of these images may be, in fact, a body of work sent back in time.

As Bret works to make the images easier for others to see, he educates himself on nearly all the NASA public databases, NASA historical processes for early missions, digital manipulation of images by space agencies and more, becoming an expert image analyst that other researchers turn to for advice.

Bret and Karen are the authors of PARADIMENSIONAL SPACE ART, a book about Bret and his discoveries. http://tinyurl.com/spaceartebook At first, he shares this with his Lunar Anomaly Research Society (LARS) cohorts.

Karen Christine Patrick, Bret’s writing and research partner, helps to uncover the mystery of these images as an astonishing paranormal paradox, suggesting that the imagery Bret has painstakingly illustrated quite possibly is Bret’s own work, made into a slide show and sent back to his teenager self for him to see in 1982. The collection of these images may be, in fact, a body of work sent back in time.